Cadralor Issue 9

Gleam Issue 9

The following poems were selected by the editors
for Issue 9 of Gleam:


Heirlooms, by Rose Mary Boehm
Occasions, by Rose Mary Boehm
Poet’s Right, by Jamey Boelhower
A Three AM Loop, by Becky Boling
Crow, by Ginny Lowe Connors
Embers, by Scott Ennis
Avoidance Behavior, by Rob Hardy
Mother, by Tara Knight
Swimming Lessons, by Tara Knight
Beyond, for Evan, by Dawn Leas
Australia Day, Brisbane, by Andrew Leggett
And So It Goes, by Carolyn Martin
Granddad Saves the Day, by Dana McCormick
Patchwork, by Ann E. Michael
Existential Cliff Notes, by K. Alma Peterson
Fettle of the Finite, by Kathy Peterson

Yardangs, by Charlotte Porter
The unentitled, by Marsha Segerberg
Immortal, by Merril Smith
This Moment, Running, Running, by Merril Smith
Cycle of Dust, by Austin Thornton
Coming to Terms, by John Van Pelt
Yes Sir, No Sir, by John Van Pelt
Fire, by Susan Vespoli
Spherical, by Susan Vespoli
Tempus Fugit, by Sterling Warner
Streaming, by Kelley White
desert, by Jonathan Yungkans
The Poem of These Things Takes Them Apart, and I Tremble, by Jonathan Yungkans

Heirlooms

By Rose Mary Boehm

BACK TO TOP >>

1
The poppies nodded, and their almost
transparent red skirts danced
in the breeze, the wheat made the wave,
the olive trees solid and dependable,
their arms barely lifting their green weight.

2
My neighbour sings while she’s hanging
the washing. Bending to the washing basket,
rising, extending her arms as in prayer,
she pins wet sails… and, soaring
like on the wings of the lark, that voice.

3
Gustavo, Donner, Laika, and Maxi,
four large, furry hooligans with wagging tails
run, jump each other, bark, shit, hide
behind the honeysuckle, come racing
back to me, slobbering me in love.

4
It’s the driest August on the Castilian plains,
the trees tired, the grasses brittle,
the little brook reduced to a trickle, lost
its voice, we scan the cloudless sky for hope,
and some townies light the fire for a BBQ.

5
I have learned to let go. Ashes, photos,
first editions, that special plate inherited
from generation to generation, my grandmother’s
crystal goblets… When I sit still, inside myself
I begin to know what is important.

Occasions

By Rose Mary Boehm

BACK TO TOP >>

1
There was an exuberance in the air.
The swifts whooshed and chattered,
the first hues of green like gossamer veils
softly caressed winter-brittle branches.

2
My brother’s white-blond mop now grey
if grey it is. Just whiter than it used to be.
You’d hardly notice but for a deepening of the lines
framing his mouth, engraved by the cancer.

3
Where is my daughter? The one who changed
her mind about entering this world?
My womb remembers her still, my arms
even now ready to hold her and discover her essence.

4
The starlings gathered in Leicester Square,
planning their journey to Africa and further.
Thousands talking at the same time, excited,
and teaching the young’uns all they need to know.

5
As we look out onto the long waves of a grey Pacific,
we are holding hands and long for a winter of discontent,
for deep, yucky mud, piles of slushy, wet, dirty snow.
We lean into each other and remember.

Poet’s Right

By Jamey Boelhower

BACK TO TOP >>

1. Abstract ideas can be symbolized
with any ordinary object,
as long as the relationship is
understood by the sun and the moon.

2. A child pulls her mother outside to
see seven angels sitting in the
willow tree. They smile at her while her
mom pretends amazement of their wings.

3. The traffic is bumper-to-bumper.
Processed air mixes with the sweat of
frustration beading on the back of
white knuckles gripping a broken hope.

4. Love letters have fallen out of style.
Replaced with modern hieroglyphs,
as if phones are pocket pyramids,
turning our hearts into a cursed tomb.

5. Fingerprints tell stories of broken
skin and tattered pages I left on
the table where her coffee mug left
dark brown rings that stained my poetry.

A Three AM Loop

By Becky Boling

BACK TO TOP >>

1
Sitting on the porch at 206 Columbia Street on gray
cement steps, late afternoon—short sleeves, shorts,
feet bare—watching cars drive by, then stop
at the corner for the Heidelbach light to change, I
with my too-fair freckled skin and taste for sweets,
poking my glasses up my sweaty nose, drinking
my useless diet coke, wait, wait, wait for someone to stop
someone to wave, for life to come and sit down beside me.

2
Three bear cubs hang on to the brown bear’s flanks,
press flat her honey thick fur. Their weight slows
her plodding gait through spring grasses. Nothing
is closer than the tenacious clinging of a child clasped
to a mother’s neck, arm, hand. A child’s growth
is measured by the distance between the young body
and hers, sensed in the cooling air that floods the gap
left between mother and babe, as she and time do their work.

3
There are worse things than hiccups at a wedding or wearing a blouse
inside out at an interview. They may snicker until you’re out the door.
But if you walk briskly enough, it’s no big deal. Surely, I’m not the only
flawed person tossing in bed at three am caught in a perpetual loop
of one faux-pas after another. Just keep in mind: there are worse things
skulking in the room’s corners, receding only when darkness scatters
and you can pretend none of your blunders really matters—
when being foolish is the least of your disasters.

4
A hummingbird flits onto the patio outside the poet’s window
as she writes. Insolent, it stares through iron bars and glass.
As if to fly inside, the voyeur darts up and down, from side to side,
then retreats an inch or so backwards. There, it stops—an irate pause
stuck in midair—and aims its needle-sharp beak at her heart.
The poet, too, pauses, imagining the bird finds her beautiful, a rare
species of giant bloom beyond its avian grasp. But perhaps, tired of freedom,
the hummer resents the large black cage in which the poet is guarded.

5
Blue, our house vibrates cold and bright in winter, a gleaming beacon
for our nightly return. It mocks gray skies, repels rain’s gloom,
wears snow like a white mink, preens proud and tall, as neighbors stare.
It stands untouched by their off-handed remarks on the color—
too vibrant, unseemly, lacking discretion.

Crow

By Ginny Lowe Connors

BACK TO TOP >>

  1. You see a river where the road should be,
    don’t see the last thoughts of a drowning man.
    You don’t see the woman, phone in hand,
    who tries to reach him, tries again to reach him.
    She’s been trying for a long time, for all the months
    they’ve been together. Now it’s too late.
  2. You jerk awake to a voice calling in the night.
    Sitting up, you listen, but hear only rain
    pinging against the window. And the gallop
    of your heart. Dim glow of a streetlight
    sputters into your room. Soft sound of breathing.
    You wait for that voice to return, explain. You wait.
  3. The sauce is ruined and the pot is scorched.
    You open the windows, fan the air. The charred
    smell is everywhere, but you can’t quite
    make out the odor of argument, the bitter taste
    of betrayal. It’s in the kitchen, it greets you at the door,
    invisible, but lurking. It makes the wallpaper peel.
  4. Veins that creep across your hand have thickened
    and your skin, under the reading lamp, is getting
    that corrugated look. You never felt it happen.
    Inside you’re a series of moments: teenager falling
    for the boy in black boots, child falling from a tree limb,
    woman quietly falling apart as love departs.
  5. Petals of the yellow tulip cupped sunlight for days
    but now they’re folding down, letting go. And your tongue
    gives up its hold on language. Words can’t excavate
    the underground cities of our lives. The crow
    marching down the middle of your street seems to know
    how the world will end.

Embers

By Scott Ennis

BACK TO TOP >>

  1. A hand skims the surface of an old record,
    dust rising like breath. The needle catches, crackles,
    then the voice of a singer, younger than memory.
  2. In a café, a woman stirs her coffee clockwise,
    watching the door without meaning to,
    without admitting she is waiting.
  3. The abandoned orchard still bears fruit.
    beneath a tangle of overgrown branches,
    a single apple, split open hums with bees.
  4. Two names carved into a rail by the river,
    edges softened by years of rain. Wind runs a hand
    through the reeds, whispers its question.
  5. At the train station, she turns at the sound of her name,
    spoken as it used to be. The weight of years
    is nothing; the distance, already closing.

Avoidance Behavior

By Rob Hardy

BACK TO TOP >>

1.
The sidewalk cafés have brought in
their tables for the winter, but summer
still sits outside. It’s late October.
I watch the last leaf taken by the wind.
I’ve been waiting here since August
for a storm to brew and fill my cup.

2.
Homeless man rising slowly from the grill
of a street corner steam vent in the city,
body contorted and bent, frightening, cold,
a figure from Rodin’s Gates of Hell.
I house him here in this metaphor,
where it’s easier to step around him.

3.
I’m lying on the couch reading Turgenev, 
where the nihilist Bazarov says, 
“A decent chemist is worth twenty poets.” 
Icicles titrate outside the window.
A stinkbug scuttles across the ceiling:
a demonstration of Van der Waal’s force. 

4.
A brain the size of a nut can make a forest,
but I’m here doing nothing, like the sky.
So many things need fixing, it’s easy
to live with temporary arrangements
like this lamp with the broken switch
we turn off by unscrewing the bulb.

5.
We’re so far from everything, I say,
not thinking of the men from Veracruz
on the roof after the latest hailstorm,
loud Mexican music and pneumatic nailers,
generators running dawn to dusk,
securing our porous border with the sky.

Mother

By Tara Knight

BACK TO TOP >>

1.
The room buzzed like a house
of bees as she pulled a thick weft
of my hair taunt, releasing
a vinous cascade of spattering
wet magenta, the dye reluctantly
leaving behind a new me while
the radio played in the next room.

2.
Spring has been getting up late
washing itself at the sink again,
much too busy for a rain shower
so, the crocus sprout like stubble
across the jawline of my front yard,
a baked casket of lines under the sun
while crickets cough up smoke in the scrub.

3.
At the beach we toppled cans
with marbles and stones that would
eventually find the soft flesh
of an earlobe, sending us all
running home to mother
who would scold us and say,
our folk should never hit each other.

4.
The sun is shifting gears
as every essence of the sky
pours down into the half-light,
and the chair by the window
keeps watch, always empty, yet
still waiting all the same,
for the weary heading home.

5.
The hours evaporated long ago
leaving structures of nostalgia
with the photo frames, all packed
like mackerel on the sandy bottom,
splashing, pushing our juvenile cares
out beyond the caution buoys, laughter
on the wind, flying like gulls over the water.

Swimming Lessons

By Tara Knight

BACK TO TOP >>

1. Queen Bristle
A thistle dominates the empty
lot, Queen every summer,
regal in spaces kept by the cat
near her many thorns,
but autumn will bend her
snowy head to finches,
the kings when winter comes.

2. White Shad
On all those days I’m small
I lie and harden in the water,
hanging my jointed body
with hooks, and my eyes
turn into black painted dots
which can see better, catching
all the swimming monsters.

3. Well Out
Shelters sprang up like mushrooms
squatting in the scrub as the sky
turned down from amber to indigo,
and the voices around the fires
rose up with the wind, free
until morning when the men came
to harvest the tents one by one.

4. Old Soldiers
Nature sometimes breeds circles
down in the mulch and trenches
perfect pink things in petals,
silly absurdities of softness,
and we linger in these spots
maybe waiting for the punchline,
or hoping to block the wind awhile.

5. Unskimmed
Fat whispers crowded the theater
as the lights went down and
a mass of hands like crabs
started their slow migration,
yearning to find each other
in carefully folded intentions,
and the manufactured darkness.

Beyond
~for Evan

By Dawn Leas

BACK TO TOP >>

1. You get your hands dirty –
roll meatballs, no breadcrumbs,
to freeze for when you’re gone.
A love letter.

2. I am writing to you again –
remember freshman year emails?
Thousands of texts, a few poems?
My love language.

3. Morning dew flying off the back
of a golf ball. You’ve found your way
out of more than one sand trap.
So have I.

4. Haystack Rock, frothy salt water,
trek through Tillamook Forest
to tattoo shop in east Portland.
Buzz of needle.

5. Quiet stretches, a knowing
I’d follow you in and around
the brilliant Milky Way, always.
You know, forever.

Australia Day, South Brisbane

By Andrew Leggett

BACK TO TOP >>

1. Lying in a hotel room opposite cranes in operation,
I read a nonlinear narrative of lives on Wall Street:
fiction for a world in which I am a pilgrim stranger.

2. In another city, two men on a tennis court are not playing.
They are locked in battle. Somewhere in Gaza, a building
explodes. The Iron Dome takes down another rocket.

3. No birds are in flight, but I hear birdsong through the window
of the Australian Open. A player scoops low, racquet
catching the ball half volley, dropping it just over the net.

4. The spoonbill is not familiar to the crane but belongs with
the sacred ibis: the common bin turkey. Cafés are closed.
making it difficult to find somewhere for breakfast.

5. Some people approve of my t-shirt with two frogs kissing.
I look forward to travel: New York next September.
I will wear it on Wall Street. I have booked the apartment.

And So It Goes

By Carolyn Martin

BACK TO TOP >>

1.
A Thai monk, walking through a forest
with his students in tow,
found a huge boulder bending in the sun.
Is it heavy? he asked. Sure! their reply.
Only if you pick it up, he squinted a smile.

2.
An anxious silence skulks before the storm
can grab trash cans/firs/power lines
and drop thundered lightening on mountaintops.
Even communities of saguaros shiver
when gnarly clouds prophecy their toppling.

3.
What if God is another name for everything––
from earth’s quintillion grains of sand
to millions of murres diving into western waves
to a sugar ant wandering around a computer screen.
But what if no one dares to look?

4.
Whoever said, Happiness begins with onions
deserves to cry. It’s the sautéed delight
of garlic that leads to bliss. Unclove two bulbs
and mince. Sizzle them in extra virgin oil
until transparency fills the ecstatic air.

5.
When the stellar nursery announces
a new star is born and song sparrows
entertain with signatures they’ve practiced
in their dreams, then calendar plants fribble
around the yard and chortle gleefully.

Granddad saves the day

By Dana McCormick

BACK TO TOP >>

1.
Flashing lights on the stairs
lacerate slow drifting snow,
soft sifting in the window:
blank white in the air
lights blue red blue redblueredbluered

2.
Soaked sandy folds
frozen grit between toes,
a tumble of lake smooth pebbles
shaken out of the sodden skirts
strikes your blue knuckles

3.
Campfire smoke and
scrambled eggs, buttery;
superfine dust from fall leaves
mushroom puffs and pine trees
filtering sunrise beams

4.
Whistles – for dogs for song for love
carry much further, clearer
than a pale honey tenor, on pitch.
silent crying laughter gasping
soft pat of a hand on a back

5.
At dusk in a grimy lawnchair
stiff hands lacquered lichen fingernails
shadows of grandchildren chase fireflies
a ghost on the swing, gargling herons
A handful of heartbeats
then silence

Patchwork

By Ann E. Michael

BACK TO TOP >>

1.
You found the wild boar’s spine, skull, and tusks intact,
and laid its bones, articulated, on its back.

2.
Recalling the broken-down car along the road. A hawk.
Below, expanse of the caldera, herds of elk.

3.
The larynx gives us speech, but we may choke on food,
water, or words: the very things we speak or spew.

4.
You say it’s darkness that you’d feared, the winding cave
that stretched behind the entry opening into day.

5.
Here lies your child, now grown, now gone, her breathing ceased
by choice. A plan she’d made. She never asked your leave.

Existential Cliff Notes

By K. Alma Peterson

BACK TO TOP >>

-1-
Maybe a trillion birds trilling liquid notes
melting the humid air. You glance at me
about to walk to where red-winged blackbirds
teeter on cattails, their throaty song what I
play back when entering a habitat all warble.

-2-
In the throes of misanthropy I screen for red
and blue. The arithmetic is moot. Just now out
across the creek an egret flies low and level.
Bluejays plummet from oak trees to experience
gravity. On the quantum loom where is my strand?

-3-
At the pinnacle of ridicule a revolving star pauses
to reflect the laughing stock. There is no rain
in outer space. Saturated, we duck further
under covers in the midnight storm. The weather
wavers between vertigo and lethargy.

-4-
Sitting on my porch I’m part of the planetary
pulmonary pull. In every breath exhaled, a cloud
replaced by fog. Disbelief suspended
in the greater Sky where my inexactitude meets
dragons as they cross from nimbus to imagination.

-5-
Sorrow is residual rainfall on arroyos and dry
stream beds. Awakening a tremor from stones
long thought inert. A glistening reflection on
a time-lapsed river. It’s late in life without
another waiting in the wings.

Fettle of the Finite

By Kathy Peterson

BACK TO TOP >>

-1-
We’re in the form and format of our bones and skin
blizzarded with images swirling the globe-body.
Our brains can’t navigate the narrows of the neck
to touch the heart with whom it would consult
more meaningfully if amygdala could meet aorta.

-2-
We reconciled what we could within our domicile
where cat and dog existed in corollated space
and timed their interactions without calendars or clocks.
We humans, paired for life, identified as canine or
feline depending on leash and lethargy, bark and yawn.

-3-
The train stands still, all the while meant to move.
Graffiti on its cars tells the story of its retirement
from conveyance. How do I tell my dead I’m sorry
for the remedies I cannot bring to bear anymore
on thwarted expressions of appreciation.

-4-
Flattened behind the door I wait to spring out
and scare myself arriving with new information
about the realm between coming and going.
It’s like lucid revisitation of a dream I can’t quit
tampering with. It’s like traveling and staying put.

-5-
Push the heart-door open and see the engine stall.
Hold your breath and count to ten and watch
horses held back twitch in frothy anticipation
of a start-over. The surgeon closes the error-gate
behind him, all procedure, no emotion.

Yardangs

By Charlotte Porter

BACK TO TOP >>

1.
In deserts on planet Earth and also on channeled Mars,
organic bentonite erodes as yardangs, huge mounds of clay,
but the presence of consciousness is not accident.
Prevailing winds still blow the ship-like Great Sphinx into shape,
with giant paws in repose—a calm female lioness,
I prefer to think, presiding over time’s paradox.

2.
Of course therapy dogs in classrooms boost student well-being,
but don’t fool yourself. Look into their eyes and shake their paws.
Man’s best friends are judgmental companions re: peer engagement
should young brains err and pick the wrong things to remember
or, like sperm, get caught breaking Newton’s Third Law of Motion
and bully unequal for opposite reaction.

3.
Six Armenian guys off the boat walked into Naugatuck,
mill-town home to Naugahyde and Puritan witch hunts,
and realized the power of sin in the American Dream.
The Peters joined the Pauls and manufactured oval mounds,
soft-centered bars of Almond Joy, scrumptious gut-friendly foods.
Please don’t take a hammer to them in a Luddite rebellion.

4.
Garum, the Roman fish sauce, is chafing in the pan. Birds flit.
A dog barks. Sky falls. Ponds boil. Athletes lose the footrace with death.
The perfumed hair of virgins burns. Slaves steal the silver and flee.
On litters ahead of the mob, fat men become flattened men.
In twelve hours, toxic layers of tephra entomb the city.
Wings of wild swans catch fire above ash of the ancient order.

5.
Dry-docked on the lawn, don’t leave me hog-tied to the mast.
Can you see to row? I will allow you latitude to laugh,
if you allow me longitude to love our small craft.
My heart beats with the oars in aspect, a ratio
of waterline to beam, a magic number at sea
as, side by side, with four chapped hands, we count blades of grass.

The unentitled

By Marsha Segerberg

BACK TO TOP >>

1.
A well-lit classroom. My lecture notes are
in a drawer in the lectern. I find ten blank
pages. Blank! A rotting smell. Sprigs of
the sulfurous air curl from a moldy sandwich.
A cackle, muffled by the drawer. I look down
and see that I am naked. With nothing to say.

2.
The t-shirt she wears says I hate everything. She
smiles and trades my credit card for an over-filled
cappuccino. I am approved and walk away, eyes
tight with the effort to not stumble, bump, drop.
I slide across the only available chair, set everything
down into the last person’s dark sticky spillage.

3.
In the dusty glove compartment crammed with
sunglasses and dried up ballpoints, the Boundary
Waters maps are tied together in a bundle. They
crumble to dust as I try to unbind them. We get lost
five lakes in and run smack into a calmly grazing
moose. Grasses dripping water hang from her mouth.

4.
The bedside table has a fragrant mahogany
box. Inside are a candle and matches for
when the lights go out. There is also a news-
print obituary of a long-loathed colleague who
hated me back. Reading it over once more, I
snicker, refold it and place it back in the box.

5.
We hold geometric cocktail glasses, arms and wrists
braced at right angles, and toast our good fortune, those
of us for whom everything does not go smoothly. We are
not the 100% gorgeous. We don’t need rehab for money
hoarding or laundering. We are not the disgruntled
barbarians, swanning around, radiating importance.

Immortal

By Merril Smith

BACK TO TOP >>

1.
The meadow has its own language, wildflowers
are words dotted with bees; the summer sky exclaims
sun and scent. Gold, green, and blue form sentences,
the black question marks of crows ask
where does time go?

2.
DNA like time-traveling ships
that sail with stardust through twisted ladders–
she has her eyes, his long legs,
she carries art and dreams in her blood,
heart-songs of the past, seeds for the future.

3.
He has become a night-shadow,
that needs no light to exist, ancient, youthful,
in darkness, he takes his victims with a kiss,
their blood becomes his blood. Endless
eternity, forever without a dawn.

4.
She is an echo–always
she repeats, her own thoughts unvoiced,
glimpsed in widening ripples of a stream,
her reflection there. Look carefully.
Call, and she will come, a wind-flute, a water-whisperer.

5.
Sheathed in lapis and azure, the couple
stands at the sighing, river-kissed shore,
sparkling night birds chirp above them
and sky-gold fingers reach across water
to cradle them on canvas. Immortal.

This Moment, Running, Running

By Merril Smith

BACK TO TOP >>

1.
A hawk whistles in amethyst, purple-pink
script scrolls across the cornflower sky,
notes fall in raptor-rhythm and wind-sough,
cross time and space; a lonesome, fearless
song brushes my skin with feathers of hope.

2.
Summer roses in all the shades of dawn
raise flushed faces to the sun,
smile like department store testers,
spritz their perfume, and I
am caught in scent-clouds, transcendent.

3.
“It’s never been sealed,” says Pandora of the jar,
indigo earlier, now glowing caramel, full of words,
star-bright, glittering pebbles, and sharp thorns.
Wreath them like laurel round your brow,
a symbol of victory over gods, demons, your muse.

4.
The moon strums the night,
silver notes glissando-glide into smoky blues.
I dream in counterpoint strands, fugue
voices become birds, robins wake crows,
the sun rises, a luscious apricot aubade.

5.
I’ve dreamt of that hill with its
towering street-sentinel oaks,
the moment you left, and this moment now,
my feet no longer in slow motion, but running,
running up the hill to where you stand, waiting.

Cycle of Dust

By Austin Thornton

BACK TO TOP >>

1.
On the wall above my outlet,
an old scorch marks the plaster,
underneath a coat of off-gray paint.

2.
A silvering coral touches
the calcium deposit that was once
its mother’s skin, and bubbles.

3.
Even as acid stains the teeth
of statues white, it surrenders
into the limestone and dies.

    4.
    I grab a blackberry, and it grabs
    me by the needle, takes a strand
    of dermis for a payment.

    5.
    I lean in, listen close as a lover to her
    chest, to the ocean washing on the sand;
    a name is born out into the sea.

    Coming to Terms

    By John Van Pelt

    BACK TO TOP >>

    1
    Other boys didn’t find
    sleep-away camp
    such a terror. One tried
    teaching me the stolen words,
    firelight fickle as pocketknives.

    2
    Down a whispered lane
    an armless Aphrodite
    adorns a tsubo-niwa.
    Seersucker beachwear
    bleaches in the sea air.

    3
    I would whip up
    a family favorite but
    the recipe ransomed
    from its nested puzzle-box
    gives only excuses.

    4
    We should be furious
    that our primate impulse
    to crayon a bubble
    between us and the abyss
    has been co-opted by racketeers.

    5
    Listen: each stone stands for
    something to forget.
    Our blood, renaming hemispheres.
    Who we are, how we got here.
    The lost, burning with answers.

    Yes Sir, No Sir

    By John Van Pelt

    BACK TO TOP >>

    1
    snow kissed us
    on the forehead
    skipped to Wednesday
    our present life
    otherwise a perfect
    sandhill cadence
    sends out long gazes
    all morning now

    2
    the titmice
    blinking in and out
    of our dead hedge
    no longer startle
    at the sound of guns
    there still must be
    breath to be had
    down there

    3
    if we vacuum
    more often will the
    smaller portions
    of discarded dust
    sum to the usual
    amount of litter?
    our projects
    are on a knife-edge

    4
    I trace a cat’s
    paw prints out to
    the frozen brook
    worried I won’t know
    what I’m capable of
    a barred owl
    hews dusk from
    pine and shadow

    5
    eleven ewes in a
    paddock make
    a kind of tomorrow
    you could want
    hay goes out
    wool goes up
    bagsful lining the loft
    like wedding favors

    Fire

    By Susan Vespoli

    BACK TO TOP >>

    1.
    The tulips are a fresh-cut bunch
    from Trader Joe’s, soon-to-be blooms
    peeking from their tight green buds,
    vermillion petals tipped in yellow
    atop matchstick-thin stems.

    2.
    1:00 a.m. doorbell. Dogs leap up and bark.
    I’m plucked from a deep sleep. The house is dark.
    I grow quiet, shrink. Back of a stranger’s head
    captured on my Blink camera. My shoulders,
    gut, entire interior is shaking, shaking.

    3.
    Graham cracker crust frames cheesecake.
    Big 12! Happy birthday, Adam! iced in red cursive.
    Brown eyes, long dark horse-mane-thick bangs.
    He holds one of the dozen tall skinny
    lit candles in his hand.

    4.
    Ancient cable box catches fire in the alley
    behind my house, torches utility pole. Ding
    of my neighbor’s text: Are you okay? Flames
    20 feet above your roof.
    Firetruck strobe lights
    flash outside my window.

    5.
    Row of skyscraper-palm-trees wrapped in fairy
    lights line the sidewalk. Halfmoon is high, high
    directly above our heads. He holds my hand, points
    to a tiny pinprick of light, says, and I think that’s Venus.
    I almost tip over looking up.

    Spherical

    By Susan Vespoli

    BACK TO TOP >>

    1.
    On our walk around the neighborhood
    with no sidewalks, three tween girls
    speed toward us on two electric scooters.
    We leap out of their path as they whiz past,
    eyes wide, mouths squealing SORRY!

    2.
    The fourth grader’s Lunchable
    is a plastic square of silver-dollar-size
    slices of cheddar, turkey, ham,
    an Oreo cookie, and she calls
    this meal charcuterie.

    3.
    Tangelos from a friend’s tree piled
    in a black wire basket. Orange orbs
    each capped with a bulge. Thick dusty skin
    washed in a stream of tap water, peeled.
    Sweet, juicy, a few seeds.

    4.
    The children cut, paint, fold fuchsia
    hearts, cover shoeboxes in red paper,
    glue sequins, stars, gold and silver
    doilies, glitter their names
    in swirls across the top.

    5.
    She drops green grapes for the peacock
    and it follows her, shimmery teal neck,
    nubby gray tweed wings, cathedral-train
    of jewel tone eyeballs, tail sweeping
    the ground before opening into a fan.

    Tempus Fugit

    By Sterling Warner

    BACK TO TOP >>

    1) Chronos’ Embodiment
    Hourglass sand drifts
    down thin fragile necks
    measures time’s passage
    we skip stones across waterways
    each bounce portending new life.

    2) Persephone’s Promise
    Lilac fragrance floats
    spring days breed insect larvae
    sundown crickets chirp
    as animals couple our
    emotions thrive like grapevines.

    3) Apollo’s Bounty
    Sunrays blister backs
    nude volleyball players bounce
    free from restriction
    exchanging summer troths we
    romanticized endless eves.

    4) Demeter’s Harvest
    Autumn encroaches
    fiery maples light hills
    squirrels gather nuts
    Mabon’s mysteries emerge
    calloused hands bundle wheat shocks.

    5) Boreas’ Chill
    Tropical rains fall
    corrugated roofs drain
    Hawaiian winter
    I long to cuddle both day
    and night by flames and ashes.

    Streaming

    By Kelley White

    BACK TO TOP >>

    1. Police cars sprint past, red lights whirling
      on a greasy wet sidewalk, the lights from
      the laundromat blinking open open open
      into his night.
    2. I dream in the city. Groceries on the counter
      of a Mom & Pop store. I know I’ve paid.
      When I turn to put them in my sack they’re gone.
      I accuse everyone. I doubt myself.
    3. Dogs snarl under the porch of an empty
      farmhouse. A little girl tiptoes toward the orchard.
      She tosses apples to the old horses at the fence.
      The farmwife points a finger.
    4. There were two bicycles leaning against
      a lamppost. Both shackled by a single lock.
      I remember they were there last Easter.
      They’re there again today.
    5. A single tree remains in fallow field. Grass
      grows ankle deep around it. A few geese settle
      near a vernal pool. Frogs croaking. Sunlight
      whispering between leaves.

    desert

    after “on the window of the sublime dream a fly begins to buzz” by George Swede1 and the photograph Deserted Highway, Mojave Desert by Alexis Rhone Fancher (2025).

    By Jonathan Yungkans

    BACK TO TOP >>

    1
    The road is sepia, a reddish brown that belies the desert’s white heat and deep-blue cold, denoting not morning or evening but after something. The sawdust-dry meat loaf sandwich, made palatable with ketchup. Coffee with an undertone of dust-fine sand and brown weeds but wet enough to be stay refreshing even with the heat outside and lots of it. Perching on a stool’s a welcome break. Watching as a waitress clears dishes, make another pot of coffee. The luxury of not moving 20 or 30 minutes, sun not beating down like on the road. I’ve enjoyed those times the most.

    2
    It says on Wikipedia that flies followed people when they moved from the Middle East. They get everywhere—even behind a sizzling windshield when you least expect it, are most disinclined to crack a window to get it out. One wings in when someone dies in an Emily Dickinson poem, a black speck of white noise to show something’s still alive in the room. One appeared the day Bill Mohr lectured about Emily Dickinson, even with the doors and windows shut, and we did the best to ignore it. They buzz like memories of mountain trips and loved ones missed.

    3
    Who in Bishop, California would call me? Says it’s important. Drives up in jeans and a black T-shirt, haunting me with a smile. Black hair slicked back. Ray-Ban lenses deep, dark green, keeping glare out, secrets firmly in place. The dark-olive ’56 Chevy pick-up he drove up in suits him. Dad towed in one he found in a salvage yard. Got the engine running. Body fixed, painted. He and I drove in it on weekends to the hardware store and Uncle Ray’s house when I was in elementary school. Wait. Is this Dad, back at the age we did that?

    4
    We couldn’t see the San Gabriel mountains most days in elementary school, just smog-grey sky. One clear morning, my sixth-grade teacher marched us into the playground, pointed them out as if to say, “Look! There they’ve been all along.” They were clear and craggy as the Sierra Nevadas in a photograph. The Sierras are bluer—a cross between early-morning sky and smoke ribbons that rose from Dad’s Pall Malls. The highway moves straight toward them, a lazy brown-black snake. The desert looks hot enough to melt the asphalt’s tar. In their cool hue, the Sierras could pass as an illusion.

    5
    The desert that’s been a metaphor for waking and breathing becomes literal past Barstow, heading east. Radio’s a fly buzz. I take in a Mojave spotted green with tumbleweeds, quietly amazed that isolation’s a friend, not a tormenter, doesn’t expect or demand. Ringed with violet mountains, a crazy-crimson sunset blooms, tinged with pinks and purples. A rest stop near the grade’s top reminds me of people. It’s empty. I stop and look into the black night. Ten more minutes of not being expected to become the guy with the right house, clothes, career and found wanting. It buys me time.

    1Monoku by George Swede published in NOON: journal of the short poem, Issue 25 (April 2024). Used with the author’s kind permission.

    The Poem of These Things Takes Them Apart, and I Tremble1

    By Jonathan Yungkans

    BACK TO TOP >>

    1. Or Rather There Are No Lines in the Time
    First there were trailers, then shelves built inside the trailers to add bodies, quiet as firewood left to gather moss unless the trailer’s bottom fell out and the logs had faces. Hospitals stacked cadavers inside waiting rooms to wait for what or whom, as if the forest floor might take them into its bosom. Nights approaching Christmas lingered and passed. Undertakers kept busier than woodcutters trying to clear away the dead until they froze into place under Sleeping Beauty’s spell. Snow fell and fell like a scene in a film.

    2. And Toward the Center a Vacancy One Knew
    Green and green and green. Whittier College’s dorms more Yorick’s skull from Hamlet—walls the color of bleached bone and void of the infinite jest that spilled from doors onto quad and sidewalk. Mockingbirds squawk. Their black-and-white-striped wings flash from tree to tree, followed by an awkward stillness. The clicks and clucks of gossiping ravens are the sound of multicolored plastic marbles inside Fisher-Price lawnmowers, popping like popcorn. They break off to stroll red clay-tile dorm roofs. The corvids look almost professorial as they meander, wings folded back in philosophical contemplation.

    3. We All Bought Tickets to the Allusion
    Tablecloths immaculate, crystal polished, servers ensconced in permafrost. A good meal can cure you if it doesn’t first kill you—any medical professional worth Escoffier will attest to this—or, barring this, a shot from the bar of medicinal wonders. As fine diners, we’re sure the plague will wait to touch us. Be it Covid or bubonic, it’s a mannered pandemic. If there’s no civility in a mass emergency, where are the dinner mints for the autopsy? Were efficacy numbers overcooked, salmon underpoached? Was the strychnine served with coffee real or imitation?

    4. You Don’t Learn the Cancan at Obedience School
    On Dia de los Muertos, the Jesus line snaked, dressed in black. I thought of glowing carbon firework snakes rising from tablets once my brother touched a match to them, breaking into pieces, rolling through a smoke haze. The wind waited, patient and inarticulate, whenever I passed, past Thanksgiving, Christmas. A man played his guitar from a distance, ambling a step or two alongside a white sawhorse. The irony of Death astride his pale mount, while this guy strummed one life at a time and took his sweet time about it

    5. Like a Night Sound for Which There Is No Explanation
    I keep defining silence by what insists it’s missing. No college kids lighting up in front of my place. No iPhone blaring a soundtrack. Instead, a hush that in itself is a sound, has a heartbeat, inhales cool air. An evening into which those kids might prefer to blend, seamless with the dark, draping their bodies along a brick retaining wall like the lantana hanging over their heads. Laugher merging with purple blossoms, lambent stars. Conversations hovering, hot-air balloons, until the heat inside them faded and gravity kicked in.

    1Title taken from the poem “Five Pedantic Pieces” by John Ashbery, in the collection As We Know.

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    About Us

    Gleam is a journal wholly devoted to the new poetic form, the cadralor, created by Gleam’s founding co-editors, Lori Howe and Christopher Cadra. The cadralor consists of five short, unrelated, highly-visual stanzas.

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    If you are interested in submitting your own cadralor poem or if you have questions, you can reach out to our Gleam email. We look forward to hearing from you!

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    Meet the Editors

    The cadralor was co-created by:
    • Lori Howe, Editor in Chief
    • Christopher Cadra, Senior Editor

    Meet the Editors